If you have two monitors you'll love dual monitor support. If you get into comps with dozens of layers or effects the new filters in Controls and the Layers panels make it a lot faster to find things-I got a Hitfilm Pro 2017 beta during editing of my Ghostbusters Go! short, and just this one new feature made it SO MUCH EASIER to tune all of my multi-segment proton streams. If you record audio external to your camera the new audio synch tools are a massive timesaver. If you work with a lot of different audio tracks, the new audio mixer is a blessing. If you do a lot of mograph and text work, Neon Path is one of your new best friends. If you ever have to prepare footage for actual TV broadcast, Scopes are a must-and since Hitfilm renders mp4 to 16-35 levels and YouTube expects everything in 16-35 then expands to 0-255, Scopes makes it easy to tune final output for optimal YouTube playback.
If you do a lot of 3D model/particle work the new Depth Matte features give you the auto occlusion of 3D unrolled but the ability to add effects directly to layers still-that's a game changer that makes a workaround technique I've used since Hitfilm 3 obsolete.
In some ways in depends what you're doing. In this thread I pretty much list all the differences between 4 Express and Pro 2017, but I think I flagged everything new. You could go from 4GB to 16 or 32GB and have a lot left over for editing. If the HF tracker fails you then there is always mocha.Well, any system will try to take advantage of RAM, but the biggest concrete benefit is RAM preview. The Hitfilm native tracker works pretty well and is hyper easy to use. Save the track to a point and direct the quad warp to use the four points. For a corner pin you might consider just doing 4 Hitfilm point tracks. Import that comp into your HF project and use it.Īs for learning mocha, then find various mocha tutorials and FxHome has a few tutorials using mocha to track things. That saves a composite shot with quad warp applied and the corners of your surface applied to the four quad warp points. Have you have done your mocha tracking then click "export tracking data" and then from that dialog select to export a Hitfilm corner pin composite shot. Mocha will export a "corner pin" Hitfilm composite shot to disk for Hitfilm. You can use apply matte to mask out untracked mocha splines. The view matte seems to show your tracked surfaces. It seems the project is attached to the specific effect in Hitfilm. In mocha saving a project you no longer give it a file name. If there is anything new I have not looked very closely. mocha is a plug-in but you still save Hitfilm composite shots (corner pin, camera track) from mocha and import those into your Hitfilm project. 2017 seems to operate just like HF 4 with mocha.
0 kommentar(er)
